Big Update Time
Just so you are forewarned, this post is designed to beat Christian’s latest super-post as far as word count is concerned. Here we go.
Philip, I apologize in advance (he doesn’t like lengthy posts).
Light Painting Update:
As I have mentioned many times before, I went through a dry spell as far as new work was concerned during the time leading up to AP Exams when I spent all my time studying and working on the 840 Poster. Well, as the AP Exams are over and the 840 Poster is slowly coming to an end, I have had time to consider and complete new light painting projects. As this post explains, I went to Harbor Island a few weekends ago and took 28 pictures of downtown and the sights of the city from afar. Since that post, I have edited two more images.
I think the first is good, but not spectacular.
I was getting bored with making realistic pictures of Dowtown over and over again, so I threw the “Fill Light” and “Blacks” sliders in Camera Raw all the way to the right, added a few extra crazy adjustments, and got the second image. I have no idea where the halo came from or I would have gotten rid of it (it’s not from “Clarity”).
After the District Art Show, Kyle W, Philip, Christian, Zack, and I went to Tidelands Park in Coronado to take pictures, and we had great success. Read more here and here. After browsing through my images, I counted 24 that were good enough to edit and eventually narrowed that down to nine.
Here they are:
I kind of like this shot of the Coronado Bridge, even though it didn’t turn out as good as I would have liked (I was using the wrong lens – Christian was using the right one).
With these next two images, I decided to listen to Philip’s advice and make them not as warm as the others. This forced me to approach them from a different angle and I think they turned out very nicely (some of my favorites). Thanks for the advice Philip. (But there is a point where cool (blue) turns into unrealistic (too blue/bad).)
This next one was out of focus and I tried to compensate by adding lots of different effects. I don’t really like it.
The next image is my favorite. I really like the contrast between the bluish background and orange foreground (complementary colors), even though the frame isn’t great.
I tried a lot of new techniques on these pictures, including using the “Threshold” Adjustment Layer for the first time. I also ventured deeper into Camera Raw than ever before and used the “Split Toning” panel for the first time.
I was all ready to post this post after three hours of writing, and then I realized I had forgotten to add vignettes to my new images. I had to go back and fix, re-save, re-upload, and re-add twelve images (it turns out the Dip wasn’t up-to-date too). Argh!
With more free time (now that most of my classes have toned done the workload) I should be able to produce more new work relatively quickly. I continue to get better at using the 5D Mark II as well as my Rebel T1i, which has translated into better pictures than ever before. I remember from the beginning of the year how out of two hundred pictures, maybe ten would be good. Well now maybe one hundred would turn out nicely.
The District Art Show:
As you all read here, Superintendent Collins surprised everyone when he awarded my already 1st place Dip picture (named “Night in the Light” for the Art Show) one of the biggest awards of the night. I was surprised my pictures won anything at all because they printed horribly bright (I had tailored them for the big Epson in the Mac Lab and not the small Epson at Mr. Skocko’s house). The actual print from the Art Show is hanging in my living room, and looks just fine in the dim lighting. I gave the “Navy Lights” picture to Kyle R because he hadn’t gotten a print of it yet.
For me, the greatest feeling of accomplishment in the Mac Lab is seeing something of mine being printed, and so to have had eleven things receive that honor, I feel pretty good about my year so far. Oh, and just to set the record straight, the bigger the print the better!!!!!! At only 20 inches by 13 inches, this image looks like a postage stamp next to this one and this one, which are both 30 by 20 inches. (I want my copy of the District 840 poster to be 44 inches by 70 inches, one square inch for every hour I spent working on it.)
The District 840 Poster:
The third thing I want to give an update on is the District 840 Poster. It is currently on its fourth version, which is two more than it was on when it was submitted and mass-printed. After a marathon Skype video conference and some last-minute tweaking the day before it was due, this is what the poster looked like. We (Kyle W, Philip, Mr. Skocko, and myself) all agreed that the sky was just awful and needed to be replaced, so I added some Photoshop clouds that night, which is version two. At that point, we had no choice but to submit the poster but we vowed to make it better. The poster was mass-printed 11 by 17 inches and distributed around the school and a 44 by 70 inch giant was printed for in front of the office. However, as time went on the sky looked worse and worse, so I began the process of finding somehow to make a new one. I decided to look at old photos and try to find one with an acceptable sky (we realized that the idea of making a sky from scratch in Photoshop proved futile). I turned first to the pictures in this post, and combined the skies from the two images (one, two) in Photoshop. Because the stars in the two images are different sizes, the result had a feeling of depth. I liked this third version, but had to agree with Philip when he said that it looked too peaceful. Also, adding a night sky created a different problem: night means the buildings need lights. Making that happen proved impossible with our current skills, and so I continued my search for an image that could work. I stumbled across this one while going through some old files and knew instantly that it was the one. Unfortunately, two problems arose: first, it was a JPG and second, it was VERY noisy. We had no choice but to live with the first problem, and the wonderful noise reduction features in Camera Raw beautifully solved the second. Instead of trying to add the new sky to the same file with the other two skies, we went all the way back to the beginning, to the version two trips through Camera Raw before this version: the big 1.38GB main file with all the components on their own layers. This made adding the new sky a piece of cake and also allowed some problems with the edges of the buildings to be solved relatively easily. However, this also meant that we had to repeat the Camera Raw steps, but in the end that proved to be a good thing too. After a week of work, Kyle and I managed to get the new fourth version looking much better than its predecessors. A few last-minute fixes made for a truly great poster, but since the Mac Lab is out of paper it will remain solely digital for now.
Looking at all the versions of the 840 Poster side by side, I think that the buildings in the final version need to be darker. That’s an easy fix, but I need to run it by the group first.
Over the past couple of months when I couldn’t go out and take pictures because I was supposed to be focusing on my other classes, I turned to Photoshop. I learned dozens of new skills and have become truly great at using Photoshop. The District 840 poster taught me a lot about image correction and the healing tools, which gave me a new appreciation for a different side of Photoshop.
Also, instead of trying to push my images to the brink of destruction, I have really tried to reign in my enthusiasm and not over-process my images. When reworking the Dip and Cars images, I took special attention to this and ended up decreasing the vibrance on both images quite a lot. This took the edge off the bright and somewhat blinding colors and created two images that were pleasant, not painful, to look at. The main thing I fixed in the Dip image was severe over-processing, and it was only through some creative Camera Raw-ing that I was able to same the image. I experienced a moment of desperation and hopelessness while working on that picture, when I ran out of ideas and felt the pain of failure. Then I reached for the Adjustment Brush and blurred/desaturated/darkened the over-processing away. Miraculous, in my opinion anyway. Just look at the road in these two versions (one and two). See the difference? In this post I called the previous version a masterpiece, and now I feel foolish for doing so. There is a point when too much of a good thing (like Photoshop) can be a very, very bad and very, very destructive thing indeed, and that is something I have been trying to avoid in my latest images.
The new tools in Photoshop CS5, like Content-Aware Fill, the Content-Aware Spot-Healing Brush, Puppet Warp, Lens Correction, and the new blending modes have come in extremely handy and have changed the way I work with my images. The new skills that I have learned through thousands of hours in front of my computer have truly transformed my skills as a digital artist in the past six months. (Example: in three days I was able to capture, edit, and print a District Art Show-worthy picture. Unfortunately, when Mr. Skocko learned he could only submit eight things, he had to cut it, leaving only two of my images in the Art Show) Now I feel like whatever the challenge, I have the skills to overcome it.
Also, I have been using Camera Raw on a scale I would never have imagined before. I was just starting to really appreciate the power of Camera Raw 5 in CS4 when Camera Raw 6 was launched with CS5. The new version has a totally new engine that allows for better edits than ever before. The new noise reduction features may be my favorite, but then again the new lens correction software in the 6.1 update just may be cooler. I never realized just how distorted the images straight out of the camera really were until I tried out this new feature!
I almost forget to talk about the wonderful Adobe Digital Negative file format that I discovered a while ago but only started using with CS5. The Digital Negative format allows for increased compression without data loss (which is great when taking high-quality 30MB pictures) and does away with the old XMP sidecar files that CR2 files had. I especially like how if I start editing an image in Camera Raw but don’t finish, I can save the image directly in Camera Raw as a DNG without loosing any edibility (or the edits I just made). Basically, if it’s a picture and it’s not a PSD or a web-ready JPG, it needs to be a DNG. It’s that simple (in my opinion). DNG’s are smaller, store more information, and are more versatile that CR2′s, so why not use them?
I haven’t done much to CRDESIGNLAB in the past months except remove all of Kyle R’s work. That means all the Digital Art pages are looking quite empty, which is likely how they will stay for the rest of the year (along with the 3D pages). I have been searching for a new blog theme, but have not found anything intriguing yet.
I think I will hold out on making new tutorials until summer because I don’t see myself as having any time before the end of the year. I plan to make dozens of new tutorials over the summer (on light painting, Photoshop, and photography) in order to build a wonderful student resource for next year. Speaking of next year, I will be a Senior but I will not be taking any Mac Lab classes. Don’t worry though, I will go periods one through five and spend six and seven in the Mac Lab anyway helping students and working on projects. I hope to be a resource next year both through my direct aid and the tutorials on this blog.
By the way, this is the 72nd post on CRDESIGNLAB. That’s a lot of posts. (Other stats: 550 comments, 6,736 hits)
I am continuing to make final changes to the 840 Poster, but as soon as the Mac Lab gets paper it is ready to print.
Also, I have volunteered to set up fifteen new iMacs for Mrs. Ormsby and the SAGA. I have been working on just one of the computers and plan to build a master disk image that I can then transfer to the others. After some initial difficulties with InDesign, which is the primary program the journalism students use, Mr. Skocko suggested I bring the computer down to the Mac Lab for the setup process instead of working in Mrs. Ormsby’s room. Having access to a reliable internet connection allowed me to download the required updates to make InDesign work, and I was able to complete the installation of all the applications Mrs. Ormsby needs. Now I just need to here back from SAGA on what specific files need to be standardized across all the computers. Hopefully I should be done with the setup and ready to create the image using Carbon Copy Cloner within the coming week. That means that hopefully all fifteen new computers should be up and running and ready to replace the ten year old Macs in room 322 before too long.
Plans for the Rest of the Year:
Well, I have only 2 days left on my trial for CS5, so my plans for the next few weeks must include buying the CS5 Master Collection. Mac Lab Media needs to produce a video advertising next year’s Blood Drive, which I will be very involved in. I need to learn more about Final Cut Studio in preparation for leading Mac Lab Media next year. I need to continue to learn how to use the new audio/video equipment, which will be invaluable for all future video projects. I hope to work with Christian on a stop-motion light painting video, but that might get pushed until summer. The District 840 poster needs to be “finished” and printed for in front of the office. I need to finish setting up Mrs. Ormsby’s new computers. I need to edit my newest light painting pictures and capture new ones. The Mac Lab iDev Team has yet to get off its feet, but I hope that in the next few weeks I can put my iPad to good use and start working my way through the tutorials. And that’s just the stuff I can think of off the top of my head. There’s a lot more, but I think my subconscious is not letting me remember it.
Oh, I almost forgot: Kyle W and I have to assemble the Mac Lab iBook for the Final Exam. That’s going to take a while and teach us more about InDesign than we will ever wanted to know.
Sunday night I will attempt this challenge, which will help me appreciate the skill required to be a photographer before the invention of digital cameras. Plus, getting a free print isn’t bad either. My strategy is to pick four shots and take nine picture of each with different settings hoping to get something good. I will probably work with Kyle W and create some light painting masterpieces the old-fashioned way.
On Monday I have to film a group English project, but because my group didn’t want to step up to Mac Lab standards I am not allowed to use Mac Lab cameras. That’s too bad because I was really hoping to make a phenomenal video, but it looks like I am going to have to settle with what the group want, which isn’t phenomenal.
This year has been much more that I envisioned it to be. My first year in the Mac Lab (as a Freshman) was quite uneventful and, honestly, I expected this year to be the same. When I enrolled in the Mac Lab a year ago, I had no idea that I would have five things on the Wall of Fame (I think it’s five), have eleven beautiful prints hanging in my house, or have stood alongside Danny and Christian and received the ROP Champion of Champions Award (and then that totally unexpected follow-up award from the California Legislature). And as a math and science guy, becoming one of the most decorated recipients at the 24th District Art Show was something that I would never have expected in a thousand years (me, winning art awards, you can’t be serious!!!). This year has been more fun than I could have possibly imagined, and I plan to end it on a high note. I have learned so much about myself and grown so much as a person in the past year that I would not trade my time in the Mac Lab for anything.
And the crazy thing is that something tells me that next year will be even better.
Christian, I cut down the length of this post by over a thousand words because the general consensus seemed to be that I write too much. But at 3014 words this post stills claims the trophy.